A walk-in teenage bedroom. On one side the room is a warm, cluttered bedroom from the late 2000s. On the other side it is a cold digital space of screens and cables. A video diary plays on a CRT television in the middle, and while the girl speaks, the screens next to her show the data profile that social media has built of her. The starting point was to pick up a current social debate and look at it critically. Large technology companies and their platforms are regularly criticised for weak content moderation, addictive design and the radicalisation of users. What the installation looks at is the algorithm and the community that forms around it, one that glorifies eating disorders. Visitors follow the everyday life of a young girl and her entry into that community.

I was responsible for the digital design, the real-time graphics and the control system that runs the installation. TouchDesigner drives everything: the screens, the LED strips and the audio. I keyframed the whole 15 minute timeline, so every change in the visuals and the LEDs sits where it does because it was placed against the narration. I also curated the content of the social media feed, which shifts over the course of the story to match the interests the algorithm is feeding her.

A web experience for two people, based on the film "The Lobster". Two players are matched as a couple and then have to steer one character across a map together, one controlling the horizontal axis and the other the vertical one. On the way they answer uncomfortable questions and at the end they get a percentage that says how well they match, plus an epilogue about the rest of their relationship. The visual language is deliberately restricted and cold. Two monospace typefaces, a dark red against off-white and grey, heavy black borders and hard-edged shapes with no rounding. The map is drawn the same way, flat greys with black blocks for buildings.

I did the full technical implementation, frontend and backend, and set up the hosting. I was also the designer on the project, did the poster, and took on the process management. Web design and storytelling were shared across the three of us, and the map was drawn by Sebastian and Ardit.

An internship at SRF spent building a virtual production setup that actually works on a small budget. Virtual sets built in Unreal Engine, camera tracking calibrated to the millimetre, and tests run first against a greenscreen and then in a studio against two projector walls, to prove that the technique is usable without an LED volume. Virtual production had not really arrived at SRF. A small team was putting together a test setup with a small budget and I joined that. The work laid the groundwork so that concrete use cases can be developed and virtual production can become a fixed part of a modern SRF studio.

I taught myself Unreal Engine with a focus on virtual production, then built the sets, set up and calibrated the tracking, and ran the tests. Most of the tests we ran in pairs.

A page about the skateboard I use to get around, told by scrolling. The board is drawn entirely in HTML and CSS, and scrolling rides it down a pavement through five short statements about what it is like to own it, ending in the lake it once fell into.

A digital publication about Studio Dumbar, built as a Figma prototype for a tablet. It covers their identity work for Dutch public institutions, and instead of a menu you navigate by clicking the things themselves. Click the police car and it drives into frame, then dissolves into the page. Click the train and it pulls you into the railways chapter. The publication shows Studio Dumbar's strategy when creating a visual identity, highlights the main elements, shows how each identity is applied across different media, and where they have worked on a brand more than once, shows how the design evolved.

A web application that takes a song and hands it to a fictional music critic to read. You log in with Spotify, pick a track, pick one of eighteen invented critics, and get their commentary on selected lines of the lyrics, written in that critic's voice. The starting question was whether song lyrics can be analysed with a large language model, what stories that analysis can tell, and how to present it to a reader.

I led the development of the idea, did the UI design, and wrote a large part of the frontend.

An ongoing series of digital drawings, each one a symmetric creature or face. Drawn digitally and further edited using TouchDesigner and Affinity. The drawings don't follow a concept and are rather a continuous practice of going with the flow and evolving my personal drawing style.

A collection of visuals created with TouchDesigner using procedural animation, point clouds, music synchronization and various image processing techniques.

An ongoing set of p5.js sketches written in TypeScript.